When I first learned of genius entrepreneur Nathan Myhrvold’s endeavor to create THE Ultimate Work on Bread Baking, pouring thousands of dollars in his state-of-the-art scientific laboratory plus baking station, I was rather skeptical. After Modernist Cuisine now molecular baking?
But a presentation last summer at the Kneading Conference in Skowhegan/ME, with stunning photos of the process, was so convincing that I overcame my doubts (and qualms about spending so much money), and ordered my copy at Amazon.
The massive metal box set (History and Fundamentals, Ingredients, Techniques and Equipment, Recipes I and II, and a spiral bound kitchen manual with formulas) arrived in November, too heavy for one person to carry. Totally awed by those gorgeous, atlas-sized tomes, I asked myself the obvious question:
“Am I good enough for this Rolls Royce of baking books?”
|“Am I good enough for this?”|
Being the anal Virgo, instead of undisciplined rushing at the recipes, I started reading the first volume, History and Fundamentals. Though I’m generally not a great fan of non-fiction, remembering with a shudder the all-night-cramming before my final medical exams, I found the book a very pleasant read, interesting, full of fascinating facts, and beautifully illustrated.
My husband, a Vietnam veteran, travels to Asia every year, Singapore, Cambodia, and, always, Vietnam. Whether in Saigon or Danang, his favorite food are Banh Mi sandwiches, and he misses them here in Maine.
The toppings, meat, pickles, cucumbers, chili and cilantro, are not hard to come by, but the Banh Mi breads are a totally different matter. Though French baguettes are their ancestors, Banh Mi rolls are different, with a thinner crust and softer, fluffier crumb.
With Richard just back from Saigon, I decided on Banh Mi rolls, my first loaves to bake from Modernist Bread.
I had tried to make them before, using the only recipe (from Andrea Nguyen) that appears to be circulating in the internet. It wasn’t bad, but, according to my husband (and my own memory from my trip to Vietnam years ago), it wasn’t right, either, no crackly crust, and too chewy.
For many of Myhrvold’s breads you can choose between two or (even three) different formulas, a classic version, a “best” version, and a “modernist” approach (with unusual enhancements, like gelatin).
But for Banh Mi, there is only one recipe.
|Banh Mi recipe page|
Though I often tweak formulas according to my own preferences, this time I didn’t not stray from the Modernist’s path, awed by the expertise of the authors. I wondered a bit about the shortening (or lard) in the bread – no fat in French baguettes, and why would bakers in a poor Asian country add a costly enrichment to their dough?
Instead repeating the mixing procedures and different steps for shaping, and proofing in every formula, Modernist Bread refers to detailed instructions in volume 3 (Techniques and Equipment). Fine.
But would it have killed them (or taken up too much space) to put oven temperatures and baking times into the recipes? You had to look under “filone entry in French Lean Bread Baking Times and Temperatures”, several pages back, to find them – or not, since there was no filone in the list!
And why is cold bulk fermentation only very briefly and cursorily mentioned as an option? Instead, the Techniques section offered retardation of the shaped breads, along with fermentation at different room temperatures. Great, if you bake only one loaf – or have a walk-in refrigerator!
I started my mixing process, following the Modernist Bread’s instructions – and was confronted with my first question: “add salt and mix on medium-low speed to low gluten development; add melted shortening or lard, and mix on medium speed to full gluten development.”
How do I gauge low gluten development? I added the shortening after I mixed in the salt, drizzling it slowly into the mixer bowl. But, alas, my gluten development was faster, my dough did not welcome the greasy addition, resisting its incorporation, and, instead, swishing the liquid fat all around in the bowl.
It took a long time of mixing, until the dough looked somewhat homogeneous – but it was still coated in grease!
|The dough resisted the incorporation of fat|
No help for that, I had to trust in the mitigating effect of long fermentation (I did the cold bulk), especially since my 7-qt Kitchen Aid, deciding, “enough is enough”, switched itself off to avoid overheating.
Everything else, shaping and proofing, went according to plan, until it was time to bake.
Modernist Bread pooh-poohs every steaming measure we poor hobby bakers are able to employ, except for using a Dutch oven or a covered baker. Tough luck for home-based micro-bakeries like mine that need to process more than one loaf at a time!
I guess I have to live with my guilt of using my modest, pebble filled steam pan.
In the “French Lean Bread Baking Temperatures and Times” table I found only temperature for baking (470ºF/245ºC), not for preheating the oven. I remembered having come across it somewhere in the Technique volume, but couldn’t find that paragraph again.
Assuming 500ºF would be okay, I preheated my oven (which keeps the correct temperature), with baking stone and steaming device in place. According to the time table, the small baguettes should be baked for 15 minutes with steam, and 10 minutes without, at 470ºF.
But when I checked after 15 minutes, to remove the steam pan, they were already fully baked, with an interior temperature of 211ºF.
|Not a Banh Mi at all!|
The baguettes looked okay from the outside, though the crust was not crackly. But when we cut the baguettes in halves to make sandwiches, we were in for a big disappointment. Instead of airy and fluffy, the crumb was dense and chewy.
And worse – they didn’t taste like Banh Mi at all, more like brioche (made with shortening instead of butter).
We ate our sandwiches, grumbling, and I was sorely tempted to throw the remaining two loaves in the trash – something I hardly ever do with my bread, even if it’s burnt, or otherwise malfatti.
In the end the frugal housewife prevailed – I cut off the bread crusts and ground them into crumbs. And worked the loaves into a really nice bread pudding!
|Successfully recycled – Leek Bread Pudding, made of Banh Mi rolls|
6 thoughts on “MODERNIST BREAD – GORGEOUS BOOKS, BUT SOME CURIOUS FLAWS”
So they are bit of andventure, those books. What else went into the bread pudding?
What a curse re THE Modernist Bread book……..
Maybe I just started with the one weird recipe. Reading the books is really nice and interesting. The bread pudding, my take on a recipe from Thomas Keller, is very good.
LEEK BREAD PUDDING (6 servings)
2 medium leeks, sliced 1/2-inch thick
40 g butter
6 cups 1-cm cubed crustless brioche or Pullman loaf
1 tbsp chopped chives
1 tsp fresh thyme leaves
2-3 slices prosciutto, cubed
1 1/2 cups whole milk
1 1/2 cups heavy cream
1 1/2 cup shredded Comte or Emmentaler cheese (or as needed)
Place leek in sauce pan over medium-low heat. Season with salt, and sauté until leeks begin to soften, ca. 5 minutes, then reduce heat to low.
Stir in butter. Cover and cook, stirring occasionally, until leeks are very soft. Adjust salt and pepper to taste.
Heat oven to 350°F.
Spread bread cubes on baking sheet and bake until dry and pale gold, ca. 20 minutes, rotating pan halfway through. Transfer to medium bowl, leaving oven on.
Add leeks, chives, and thyme to bowl with bread; toss well. In measuring pitcher, lightly whisk milk, cream, eggs, a generous pinch of salt, pepper to taste, and a pinch of nutmeg.
Sprinkle bottom of metal cake pan with 1/3 of shredded cheese. Spread 1/2 of bread mixture in pan, and sprinkle with another 1/3 of cheese. Spread remaining bread mixture in pan, and sprinkle with remaining cheese.
Pour in enough milk mixture to cover bread, and gently press on bread so milk soaks in. Let rest 15 minutes.
Add remaining milk mixture, letting some bread cubes protrude. Sprinkle with a bit more pepper.
Bake until pudding is set and top is brown and bubbling, ca. 45 minutes. Serve hot.
Susan, I'll just keep at it, trying some other recipe that is, hopefully, more successful.
I looked you up after finding your name in Stanley Ginsberg’s book. I’m up in Freedom ME and don’t know anyone with the Modernist books, would love to take a look at them some day. Seems we were both at the kneading conference, too! Did you get a chance to see Dan Desrosiers’ plaster reproduction of the Pompeii era mill? Best,
Hi, Carina, that’s a funny coincidence. Yes, I saw that reproduction (and I actually visited Pompeii years ago). Are you sometimes coming up to Bar Harbor? I would be happy to show you the Modernist books (and offer you some tea, too).
Stay warm! Karin